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“It’s a far-future story in a full grand space opera style. There’s an empire of multiple planets, there are mysterious space beasts… But also, everything about the civilization is fundamentally rooted in necromancy as the core mechanism of power – both magical and political power. The first book tells the story of how the two main characters are called upon by the god-emperor to research and carry out this magical process of empowerment and ascension, because he wants them to help in his own higher purposes. They succeed, sort of – very ‘sort of’. Harrow the Ninth is about the ramifications of ‘sort of’ – what does ‘sort of’ mean exactly.” Read more...
Vajra Chandrasekera, Novelist
