A Free House!: Or, The Artist as Craftsman

“Sickert was Austrian-Danish-British, a great European figure. He was a follower-student of Degas, knew Whistler very well, and they were almost competitors for a time. He wore very loud suits, was a great dresser-up and loved being a kind of artist rascal, always against the establishment, as he saw it. The London establishment was peculiarly stuffy in his day, roughly from the 1890s to the 1930s. And he wrote brilliantly…His book A Free House is a selection of his writings. He calls the bluff on Roger Fry for example, who in the early 1900s was forever earnestly proselytizing for Cézanne, while Sickert came out fighting, questioning everything including Cezanne.” Read more...

The best books on Lucian Freud

William Feaver, Artists & Art Critic