Have you heard that music is good for children but don’t know where to begin? Musicians Meurig and Rachel Bowen recommend the best music books for children.

Richard Wagner’s works are as immense as they are influential: the four-part, 15-hour saga Der Ring des Nibelungen is the most analysed opera of all time. And yet, Wagner was arrogant and virulently anti-semitic. Can we separate the musical genius from the man? Opera critic Michael Tanner recommends the best books on Wagner.

Oscar Wilde cultivated an image of himself as an idle genius, dashing off masterpieces with a lazy brilliance. But below the glittering linguistic surface of his works, suggests Sos Eltis, lies an anarchic politics and a phenomenal analysis of power.

Metal music, developed in the sixties and seventies, is notorious for its dark and disturbing imagery and its aggressive sound. But there’s nothing to be afraid of, says sociologist and fan Keith Kahn-Harris: it’s all part of the mythmaking of metal.

The philosopher and cultural critic recently made a foray into drama when he reworked Sophocle’s Antigone—not out of admiration for the original, but to examine the “stupid and morally problematic” character at its heart. Here he selects five plays he admires—but declines to see performed.

In the second of a Five Books series marking the 400th year since the world’s most popular playwright’s death, eminent Shakespearean René Weis picks his five favourite plays, and explains why King Lear will change your life.

In the first of a series marking the 400th year since the playwright’s death, we ask Shakespearean scholar Emma Smith to pick her five favourite plays.

Think you’re not interested in church music? Think again. Read this interview and you’ll soon find yourself ordering some books about it too. And a Happy Christmas from your editors at Five Books.

Popular culture shapes our fantasies, our expectations and our beliefs about what is real, argues Susan Bordo. She picks five books that shed light on popular culture.

New Yorker music critic, Alex Ross, explains why writing about music is, really, nothing like dancing about architecture.

The Oscar-nominated director of Black Swan recommends five books on film—and discusses the moviemakers who inspire him

Film legend Woody Allen talks us through his favourite books, from JD Salinger to Elia Kazan.

The author of Groove Interrupted transports us to the world of Fats Domino and Professor Longhair, and tells us how (and where) to sample the city’s unique music culture

Time to get out your old CDs and LPs. The music journalist picks five books from Bob Dylan’s hinterland to confessions of a rock ’n roll groupie, and explains why good criticism is like writing fiction

The singer-songwriter took an unusual route to becoming a performer. She tells us how she got started, how to get what you want in the music business and how an extraordinary range of influences continue to inspire her

What divides a hit from a flop, artistically speaking? The New York Times theatre critic takes us behind the scenes to assess the art of writing for Broadway and the rules for avoiding musical disaster

The journalist and author tells us what happens when protest meets pop music, which book inspired Springsteen and where hip-hop is most potent today

Britain’s most experienced theatre critic, Michael Billington, selects five essential books for understanding 20th-century drama, from the birth of method acting to the stresses of running a national theatre.

Filmmaking involves lots of different disciplines, says the acclaimed English screenwriter and author. And the secret of making good films is to look outward – for instance, by reading the history of railways

The legendary American critic, Andrew Sarris, sounds off on auteurism, his own career and the value of the traditional film-writing canon over internet innovations such as IMDB. He picks the best books on film criticism.

The former head of BBC2 reveals the two important ideas that made The Office a worldwide success, and says that most good ideas are little ones nurtured over time. Here she chooses five books that hold the key to success

Film writer Barry Forshaw plunges us into a world of dangerous women in ankle bracelets, flawed heroes silhouetted against a dark rain-swept street, smoky jazz scores and very unhappy endings.

The Scandinavian tenor argues Verdi is the greatest. Also, “the opera house in itself is an instrument. You play on the space between the audience and the stage”

Arts professor chooses five books that celebrate the lavish history of the Indian film industry. Says Bollywood has become a global brand — in Perth, you can even take classes in Bollywood dance

‘They don’t actually want to know anything, other than that this is a holy great art form beyond any other, that creates these über-geniuses who have no flaws and can do no wrong.’

The Professor of Communication and Culture enlightens us about musical enthnography — what people do with music, and how they interact with music (and with one another)

British composer on his peers, past and present. “You can have people who are really extremely mediocre with huge careers, and people who are wonderfully good but don’t have wonderful careers. Bach was one of those.”

The Hollywood screenwriting guru picks the best five books on writing a blockbusting screenplay. Aristotle knew what he was doing. It’s all about the story. Less is more. One word is better than lots of words. Simple really.

The young film director of Sex & Drugs & Rock & Roll (about the troubled but brilliant British rock star Ian Dury) talks about the books that inspire his films.

Professor of Film talks Eisenstein, Tarkovsky, and the pre-Revolutionary Siberian gold merchant’s daughter who opened a cinema for the upper classes called Just Like Paris

Founders of the Handspring Puppet Company pick their favourite five books on puppeteering. Enid Blyton and African Scenery and Animals both make the cut, as does same-sex behaviour in the natural world

‘Smart people went to the ballet and opera, and what the poor and lower middle classes did with their time didn’t matter. But these men in Hollywood had a vision and were creating this product that was loved by everybody of all different backgrounds.’

The editor of the Encyclopaedia of British Film talks about Britain’s cinematic offerings. ‘I love Brief Encounter – I cry from the moment Celia Johnson speaks until the credits come up at the end.’

The opera singer says most people of his age feel that the quality of singing has given way to the providing of a dramatic spectacle. His book selection spans Italian opera and revelations of an opera manager

Le théâtre français s’apprécie autant à la lecture qu’à la représentation. Florent Masse, professeur de théâtre français à Princeton, nous propose une lecture du point de vue de l’enseignement du théâtre. Comment les grands hommes de théâtre—tels Jouvet, Copeau, ou Vitez—ont-ils construit leur apprentissage? À vous de découvrir les principes et références qui guident les meilleurs metteurs en scène.