The Bible is not always an easy read. Nor is it always obvious how or where to start reading it. Here, Nicholas King, a Jesuit priest and biblical scholar, chooses five books to help you start getting to grips with what is, arguably, the world's all-time bestselling book.
Before we get into your books on the Bible, I’d like to ask one very obvious question. What’s the best place to start reading the Bible?
Here’s one thought. A lot of the Bible is narrative, so why not start with a good story? You’ve got a cracking good story in the gospel of Mark. It’s also, as a matter of fact, the shortest gospel, so that might encourage you. See what happens as you do that and just listen for the nudges that you find yourself getting.
If, on the other hand, you want to look at the Old Testament first, I would start with the Psalms. The Psalms are Israel pouring its heart out. There’s no question of truth or falsehood here, just a lot of emotion of many different kinds—anger, joy, exultation, misery, puzzlement—all kinds of things.
Moving on to the books. Tell me about John Barton’s A History of the Bible: the Book and its Faiths. This is only just recently published.
Yes. It came out earlier this year and it is a general introduction for the non-specialist reader (though that does not mean that it has nothing for members of the academic guild). He calls it a ‘history of the Bible’. He’s well aware that the Bible evolves over thousands of years and that’s important for a modern reader to understand, if they’re going to cope with reading it. He knows his subject intimately; and he covers a whole range of different topics with immense skill. He never puts a foot wrong.
He says that Christianity is “not in essence a scriptural religion” focused on a book seen as a single holy work. What’s he driving at there?
He’s saying that the Bible is actually rather an untidy collection. We tend to use phrases like ‘the Bible says’, but in fact, you’ve got several different voices in the Bible and the trick is to be like a conductor managing a choir and getting all those different voices to sing from the same sheet.
Can you talk a bit about the structure of the book? What are the biblical controversies or issues that he addresses?
Well, there’s a lot of them. It’s built around fairly obvious sections. He starts with the Old Testament and the many different kinds of literature you get in the Old Testament, then moves on to the New Testament and how it all started and the different kinds of literature you have there. Then the ‘Bible and its Texts’ is his third section, how you move from ‘books’ to ‘scripture’. At some point, words on a piece of paper have turned into ‘scripture’, and they acquire a kind of authority.
“Bockmuehl sometimes talks about the ‘footprint’ left by these texts. I think that’s a very important idea and it tells you something about the literature that we call the Bible, that it’s left this mark on us and then left this mark on our civilisation that can’t be eliminated.”
He looks at the 27 books of the New Testament, but he also discusses other books, those which are sometimes called apocryphal gospels. Now, if you look at those, the church showed great wisdom in not selecting them, either because they’re not very interesting or because, where they are interesting, they are interesting for the wrong reasons. The Protoevangelium of James, for example.
What are the wrong reasons for including a book in the Bible?
Well, the wrong reasons are where they’re exciting and excitable. For example, the story of the ox and the ass at Jesus’s crib comes from the apocryphal gospel. That’s not terribly important, not terribly interesting, but people latch onto it.
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Then he has a useful thing on the different kinds of biblical manuscripts. Often we don’t really know exactly what the Bible does say because the manuscripts differ. Of the 50,000 manuscripts of the New Testament, every single one is different from the all the others.
And none of them is original . . .
None of them is written by the original author. That’s right. Which is a great sadness, but it’s true.
In spite of all that variety, does he suggests that there’s some kind of thematic unity to the books of the Bible?
I think he does. One of the ways he does it is to say that faith is the common theme, that is to say when people open the text now you find a life pulsing below the surface of the text. We give that life the deceptively easy name of God.
Does he see faith as an essential prerequisite for understanding the books of the Bible?
No, I don’t think he does; he would bow graciously in the direction of biblical scholars who are totally without religious faith. He says they have every right to read the gospel and to say this is what the gospel is saying and he’s right about that.
Let’s move on to Raymond Brown’s An Introduction to the New Testament. One of the things that Brown shares with Barton is that an aim to be centrist in his interpretive approach rather than idiosyncratic, but he focuses very specifically on the texts of the Bible’s books. Is that right?
Yes, he is focused on the text. He thinks we ought to read the text of the New Testament and preferably read it in Greek. The reason I’ve chosen him is that he’s part of a great tradition, maybe the start of a great tradition, of Roman Catholic biblical scholarship. He was a giant among biblical scholars, but an absolutely faithful Roman Catholic. I remember being at a conference in North America where he was given an award and, without any notes, he gave a wonderful talk on the Old Testament and then began to talk about his own attitudes to the church and to the faith. At one moment, he broke down because he was so moved when thinking of the church. That was in spite of the fact that many people from within the church attacked him as a heretic and denier of all truth.
“Vermes’ book is important because, with the discovery of the dead sea scrolls, for the first time scholars were able to see how Jesus fitted in to his Jewish background.”
This book is a very good piece of work. It must be 30 years old, I should think, but it’s still worth reading. Raymond Brown is always worth reading because he’s always carefully measured in what he says, but he is writing from within the perspective of faith, and from a profound acquaintance with up-to-date scholarship.
Why was he attacked?
He was attacked because he did serious biblical scholarship and people read him as saying that the Bible is a pack of lies. But that is not what biblical scholarship means! What he was actually saying was that you can safely do serious study. You can learn the languages of the Bible and you’re safe to do so. It’s not a dangerous thing to do serious academic study. He thinks you’ve got to do both theology—asserting that there is a God—but also history, to examine the history of the texts of the books of the Bible in both the New Testament and the Old Testament. It’s safe to investigate them.
Now on to Geza Vermes’ Jesus the Jew: a Historian’s reading of the Gospels. Vermes was an interesting character. Can you tell us a bit about him?
Geza was born a Jew in Hungary in the 1930s. His parents saw what was coming with the German invasion and so they sent him to a Catholic boarding school run by the sisters of the fathers of Zion. He never saw his parents again. They were swept up into the concentration camps and died. Geza became a Catholic. He wasn’t forced to do so, but genuinely wanted to. He became a Catholic priest, joined the fathers of Zion and then through that did his biblical studies, a lot of work on the Dead Sea Scrolls, and a doctorate on the Pesher on Habakkuk (one of the best preserved of the dead sea scrolls). He became a famous scholar and then met his first wife Pam and left the priesthood as well as religious life. He spent the rest of his life concentrating on early Judaism.
When you say he left his religious life, do you mean he gave up on his Catholicism entirely?
He gave up on Catholicism and if he went in any direction, he reverted to a kind of liberal Judaism. He certainly belonged to a London synagogue. He used to pray on his own in the garden quite a lot, as he hadn’t lost any faith in God and actually hadn’t entirely lost faith in Jesus. He used to say things about Jesus that seemed to me to come very close to what Christians would believe, and I think he had a kind of personal relationship with Jesus, although he might not have wanted to say that.
But this book is important because with the discovery of the dead sea scrolls, for the first time scholars were able to see how Jesus fitted in to his Jewish background. The dead sea scrolls didn’t disprove anything about Christianity. What they did was to give us the background out of which Christianity emerged, because here you’ve got one Jewish movement at odds with other Jewish movements and we get a fair idea of what it was like to be Jewish in that first century.
Does that mean that the book is essentially arguing that Jesus was living within the Old Law. Is that right?
That he remained a good and faithful Jew. That’s absolutely right. Yes: all 27 documents of the New Testament are written by Jews. There’s no doubt about that in my mind at all. That’s very important. We can’t really understand them unless we understand the Jewish background out of which Christianity emerged. This book is both scholarly and readable, which is amazing considering that English was about Vermes’ fifth language. His command of English was terrific.
Shall we talk about the Levine book now, The Misunderstood Jew: the Church and the Scandal of the Jewish Jesus? She’s dealing with some of the same issues that Vermes is talking about in his book on the Bible. It also struck me that her book had a very contemporary feel and also that it is a very American book. It feels like she’s a voice in the middle of the American culture wars.
I think that’s right. She’s a very funny and entertaining speaker and she writes entertainingly too. She’s very much writing from a Jewish perspective. She’s part of a trend that Vermes started, of Jews who were really interested in the New Testament and rediscovering their own Judaism through it. They also realised that they could tell us Christians something about the Judaism out of which Christianity emerged and therefore are able to enlighten us about Judaism in a way that is liberating for Christians.
What’s her approach in the book? How does she go about that?
She really writes the stories. The book is called the Misunderstood Jew: the church and the scandal of the Jewish Jesus. It is a scandal that very often Christians have tried to avoid the Jewishness of Jesus and have viewed Jews as in some way inferior. She has chapters on Jesus and Judaism and then ‘from Jewish sect to Gentile church’. By the end of the first century Christianity was, in effect, Gentile, but it didn’t start like that. Then you’ve got ‘the New Testament and anti-Judaism’ and a very interesting chapter on stereotyping Judaism, her point being that Judaism comes in a multitude of dimensions and you can’t really stereotype it at all.
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The book has a lovely opening. She says “when I was a child it was my ambition to be Pope”. She has this cheerful openness, which is very attractive.
She talks a lot about the slightly painful history of Christian persecution and denigration of Judaism.
That’s right and she doesn’t pull her punches, either.
To what extent does she see that as still a contemporary problem? It feels like she’s engaged in a very contemporary argument.
I think she is. I mean most educated Christians nowadays would accept her points about anti-Judaism in Christianity, but we’re not really sufficiently aware of how much persecution of Jews has gone on in our name. We still need to resist that. You often find people casually making anti-Jewish remarks who are Christians; and she’s committed to educating them and she can do that because she is Jewish and she loves the New Testament. And she can say, “you Christians must get this sorted out.”
Does she does talk about the apparent warrant for some of this anti-Jewish feeling in particular books in the bible?
Yes. She says it’s there, for example, in John’s gospel. The Greek words the evangelist uses are Hoi Joudaioi, which can mean either ‘the Judeans’ or ‘the Jews’. I always translate it as ‘the Judeans’ meaning the inhabitants of Judea, which makes it sound less horrible.
“Barton knows his subject intimately; and he covers a whole range of different topics with immense skill. He never puts a foot wrong.”
In John’s gospel there are one or two rather dark remarks about ‘the Jews’, or ‘the Judeans’ and it sounds much worse if you translate it as ‘the Jews’. It gives some kind of impetus to anti-Jewish persecution.
Is it John’s gospel that has the cry “his blood be on us and on our children”?
No, that’s Matthew. It’s another good example, and that has been used by Christians, but he clearly doesn’t intend it to enjoin persecution of the Jews. Matthew is a good Jewish boy and if you were to say to Matthew, “look, we can use this to attack those horrible Jews” he would be astonished.
Finally to Markus Bockmuehl Seeing the Word: Refocusing New Testament Study.
He calls it ‘refocusing New Testament study’ and I advise readers to look at the little miniature on the front cover. Because you’ve got Saint Luke pictured as an artist. He certainly is an artist with words, if nothing else. You’ve got him painting and you can see the model for his painting. She is a slightly slovenly looking woman gazing lovingly at her little child. The little child is mischievously pulling at her throat. Then you can see the painting that Luke is getting out of this and it’s a wonderful painting of a very pious beautiful woman and the child not nearly so mischievous and a bit calmer.
What I think Bockmuehl is saying is that the gospel paints a picture which is the truth, but it’s painting it out of the reality of human life; nevertheless it’s seeing the deeper truth that God is producing here.
And in these books in the Bible, the Gospels, what is the painting and what is the reality that we’re looking at?
The reality is both the awkwardness of ordinary human life plus the reality that God is at work in this awful reality. Luke’s gospel is a very good example of that because he’s aware of what’s going on in life and but paints a beautiful picture. Thousands of artists have tried to paint one of Luke’s greatest achievements, the story of the Annunciation to Mary and you can see artists really trying to capture that moment.
Is he saying that it is a massive advantage to come to the gospels with a faith if you want to understand them?
Honestly, I think he is. I mean you have very good biblical scholars who have no religious faith and I listen to them with interest but I think they’re missing an important dimension of the Bible. It’s not that you’ve got to be dogmatic about it. It’s not that the church forbids you from saying something. We must allow all the richness that top-class scholars can offer, whether they’re believers or not; but somehow or other if you’re not open to that dimension of the transcendent, the idea of God, the possibility of the resurrection of Jesus, then you’re going to miss out, particularly on the New Testament.
Isn’t he also saying that because the gospels were written with a sort of memory of the apostolic age you need to understand their reception, which is rooted in the underlying faith?
Yes, he sometimes talks about the ‘footprint’ left by these texts. I think that’s a very important idea and it tells you something about the literature of the books that we call the Bible, that it’s left this mark on us and then left this mark on our civilisation that can’t be eliminated.
If you can start with one of these books on the Bible, which one would it be?
John Barton’s History of the Bible, because anyone can read that book and it’s beautifully done and it’s the fruit of a lifetime’s work. It’s really well done, and it’s not heavy at all. So get out and buy that.
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