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“Singletons are always instrumentalizing twins, for aesthetic and philosophical purposes, and also for entertainment and money. If people are going to exploit you, why not exploit the opportunity? That’s what twin chorus girls, Dora and Nora Chance, do in Carter’s bawdy carnival of a novel. Illegitimate daughters of a great Shakespearian actor, himself a twin, the Chance sisters monetize their twinhood at the lower levels of London’s theatrical community and have a grand old time doing it.” Read more...
Helena de Bres, Philosopher
