Art History Books

The Renaissance had quite distinct manifestations in Northern Europe and Italy: if the Southern Renaissance was all about abundance and positivity, the dominant theme of the Northern Renaissance was negativity, says New York University Professor Christopher S. Wood. He recommends what to read to learn more about the Northern Renaissance, from Bosch's fantasy bestiary of the demonic and the grotesque, to Bruegel's comic and badly proportioned peasants.

We live in an age obsessed with self-image. Technology has made the ‘selfie’ a ubiquitous form of social currency. Renaissance means may have been very different, but celebrity artists in Medici Florence dealt with many of the issues relating to identity and authorship that we grapple with today. Maria Loh, author of Still Lives: Death, Desire, and the Portrait of the Old Master, talks to Five Books about the curated self.

As a believer in the humanising nature of proper work, the virtues of sustained attention and the value of aesthetics as the keystone to ideals for a truly prosperous society, John Ruskin's abiding concerns are still very much with us today. On the bicentenary of this eminent Victorian's birth, Michael Glover, author of the idiosyncratic Ruskin Dictionary, explains why we should still be reading Ruskin closely in the twenty first century.

The professor of religion explains how medieval Jews and Christians collaborated. He recommends five books that have changed the way we look at medieval art.

Art critic Andrew Graham-Dixon takes us through his favourite art books, one of which is the best thing he has ever read about art. He contends that Monet is a follower of Turner, reflects on how the purpose of history of art has changed, and introduces us to the diaries of an "astonishingly bad" painter which reveal him to be one of the nineteenth century's greatest prose writers.