George Frideric Handel was born near Leipzig, became established in Italy, and ended life as England’s national treasure. Andrew Gant—author of a new book on Handel’s most famous composition—selects the five best texts for gaining an understanding of Handel’s life and work, and explains why opera divas were the premiership footballers of the Baroque period.

He was a much misunderstood man and one of the greatest composers who ever lived. Music critic and novelist Jessica Duchen talks us through the best books about the German composer and pianist, Ludwig van Beethoven.

Andy Warhol’s ubiquitous soup cans – and his willingness to play the naïf – eclipse the leading Pop Art figure’s depth, as Blake Gopnik reveals in his magisterial new biography. Here, Gopnik discusses five key books that offer crucial insight into Warhol the man.

Richard Wagner’s works are as immense as they are influential: the four-part, 15-hour saga Der Ring des Nibelungen is the most analysed opera of all time. And yet, Wagner was arrogant and virulently anti-semitic. Can we separate the musical genius from the man? Opera critic Michael Tanner recommends the best books on Wagner.

Every generation has its own Leonardo, and for many he remains a man of mystery. Martin Kemp, Emeritus Professor in Art History at Oxford and the author of the recently published Mona Lisa: The People and the Painting, helps us identify the non-mythical Leonardo. What might Leonardo be doing were he alive today, in our own digital age?

We live in an age obsessed with self-image. Technology has made the ‘selfie’ a ubiquitous form of social currency. Renaissance means may have been very different, but celebrity artists in Medici Florence dealt with many of the issues relating to identity and authorship that we grapple with today. Maria Loh, author of Still Lives: Death, Desire, and the Portrait of the Old Master, talks to Five Books about the curated self.

The past may be a foreign country, but the world portrayed in the art of the Dutch Masters is not so very far from our own, says Adam Eaker of the Metropolitan Museum of Art in New York. For a society that struggles with materialism and consumption, there are a lot of lessons to be learnt from the 17th century Golden Age.