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“The protagonist, Erast Fandorin, a gentleman sleuth, travels to 19th-century Yokohama and gets into all sorts of adventures. There are 2 volumes. The first is constructed as a haiku, the Japanese three-liner of 17 syllables, with a non-transparent meaning. There are 17 chapters and the end is totally non-transparent. The second volume, much bigger, explains the mystery. Captain Rybnikov is an important character there. And my novel starts with the same paragraph as Kuprin’s novella.” Read more...
Boris Akunin, Thriller and Crime Writer