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“It is intricate. It is beautiful. Diana Wynne-Jones, as a writer, was incredibly fond of things that recontextualized everything. She included a conceit in Fire and Hemlock of these vases which would rotate when you pulled a lever: sometimes they would say ‘now here,’ but if you got them at exactly the right angle, they would say ‘nowhere.’ And that blew my mind as a nine-year-old; that was the most amazing thing I’d ever seen.” Read more...
Seanan McGuire, Novelist
