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“It’s a book in multiple parts. The first section focuses mostly on a particular episode from the narrator’s childhood, when he was around seven, going to bed and hoping that his mother would come up and kiss him good night. He’s a rather anxious child, and continues to be anxious into adulthood. Then there’s the famous madeleine scene that ends the first part. Then a fairly long section: a description of life in a small country town, where this character spent his summers. In this section there’s an incredible little scene involving three steeples seen from a moving carriage, which is surprisingly important. Overall, what you get in the first volume is a sense of this character gradually coming into focus.” Read more...
Joshua Landy, Literary Scholar