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“Miller sets out to reclaim Landon’s literary accomplishments and establish her as a bridge between Romanticism and Victorianism. Miller contends that Landon’s work has been overlooked and perhaps made invisible because she was regarded as popular writer whose feminine poetry was dismissed, and that she should be considered from a contemporary perspective as ‘proto-postmodern,’ sort of postmodernist in training.” Read more...
The Best of Biography: the 2020 NBCC Shortlist
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