Chinese Shadows
by Simon Leys
A collection of essays in which he totally demolishes the romantic myth of the Maoist experiment
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“This book came like a bolt of lightning, because in the seventies – despite the fact that the Cultural Revolution was still going on – many China watchers were starry eyed about Maoism as a wonderful experiment. Those who went to China saw what they wanted to see, and usually came back with glowing accounts of a New China, and a uniquely collective and altruistic human being not driven by material desires.Chinese Shadows was a completely different take. It’s a collection of essays in which he totally demolishes the romantic myth of the Maoist experiment.” Read more...
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Ian Buruma, Journalist
“He is a marvellous writer, and was one of those people who dared to say things. The book came out in 1977, as interest in China was beginning to incubate. He was in Beijing and he looked at the toll that had been taken on Chinese culture, archaeology, religion – he looked right down the barrel of the gun and described the Cultural Revolution in all its horrific dimension. He’s very Western, an undying humanist, and unrepentant about his humanism.” Read more...
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Orville Schell, Foreign Correspondent
“He was a great defender of Chinese culture, and the refinements of Chinese culture. He wrote a wonderful essay once on the art of calligraphy. But he made a trip back to China in 1976 and was absolutely horrified at the changes that had taken place. For example, Mao had knocked down the old city walls. There’s one chapter where he goes to find one of the famous old city gates, which he thinks has survived the Maoist purge of the old city, and it’s not there. He goes almost into a delirium – he thinks he’s lost his way, that he must have come to the wrong spot. And then he realises that it’s gone altogether.” Read more...
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Richard McGregor, Foreign Correspondent