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“I really love his late period: Cocaine Nights, Super-Cannes, Millennium People, Kingdom Come, which are all basically the same novel again and again. I mean, the plot is pretty much always Heart of Darkness. There’s someone who goes up river, and they lose themselves in that world, become part of the logic of that world. They are all centred on the idea of middle-class communities that have become bored with contemporary life and are entertaining themselves by playing around with violence, drugs, sex. Kingdom Come fertilises that with his observations about British society at that specific point in time.” Read more...
Mark Blacklock, Literary Scholar