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“Honestly, I would just drop in wherever you want, because he did emerge almost fully formed as a writer of short stories. ‘The Voices of Time,’ as I say, would be early- 1960s: maybe actually 1960. It has so many of those key ideas: alienated figures trying to work something out—the mysteries of the universe—deep time—receiving signals from space—running around a deserted base going mad… It’s incredible. Then you come forward into the late 1970s and early 1980s, and you get things like ‘Notes Towards a Mental Breakdown,’ where every single word is footnoted. And the very playful, paratextual, formally experimental work that he does in the short story form. He started off as a short story writer and he is an expert in the form.” Read more...
Mark Blacklock, Literary Scholar