Music & Drama

The legendary American critic, Andrew Sarris, sounds off on auteurism, his own career and the value of the traditional film-writing canon over internet innovations such as IMDB. He picks the best books on film criticism.

The former head of BBC2 reveals the two important ideas that made The Office a worldwide success, and says that most good ideas are little ones nurtured over time. Here she chooses five books that hold the key to success

Film writer Barry Forshaw plunges us into a world of dangerous women in ankle bracelets, flawed heroes silhouetted against a dark rain-swept street, smoky jazz scores and very unhappy endings.

The Scandinavian tenor argues Verdi is the greatest. Also, "the opera house in itself is an instrument. You play on the space between the audience and the stage"

Professor Brian Shoesmith chooses five books that celebrate the lavish history of the Indian film industry. He maintains that Bollywood has become a global brand — in Perth, you can even take classes in Bollywood dance.

'They don’t actually want to know anything, other than that this is a holy great art form beyond any other, that creates these über-geniuses who have no flaws and can do no wrong.'

The Professor of Communication and Culture enlightens us about musical enthnography — what people do with music, and how they interact with music (and with one another)

From Bach to Stravinsky, British composer Giles Swayne discusses the most insightful books for getting to know the real lives of classical composers. "You can have people who are really extremely mediocre with huge careers, and people who are wonderfully good but don’t have wonderful careers. Bach was one of those."

The young film director of Sex & Drugs & Rock & Roll (about the troubled but brilliant British rock star Ian Dury) talks about the books that inspire his films.

From Eisenstein to Tarkovsky, film scholar Ian Christie looks at the titans of Russian cinema and draws attention to the pre-Revolutionary Siberian gold merchant's daughter who opened a cinema purely for the upper classes.