Pamela Smith

The scientific revolution is often seen as having transformed the way we think and ushered in the modern world, but in highlighting the work of a few key individuals, it has distorted the reality of how science advances in society and how it interacts with truth. Here, Vera Keller, Professor of History at the University of Oregon, challenges popularly held assumptions about the scientific revolution and explains how its meaning, significance and importance have been disputed and misunderstood.

Albrecht Dürer was the archetype of the Renaissance man, but also the prototypical artist-merchant, and very much a man of the world, says historian Ulinka Rublack. Dürer’s self-portraits, particularly the Christ-like image from 1500, have branded him as art history’s ultimate narcissist, but this is a view that does justice to neither his work nor to the complex and conflicted creative individual that he was, she says. She recommends books on Dürer’s Renaissance that reveal a much more nuanced artist and a richer sense of the times in which he lived and created.