Books by Sarah Waters

“Fingersmith is an astonishing piece of work. Sarah Waters creates a fabulous sense of place, the violence of those Victorian institutions, the impossibility of a women ever getting out again if she was confined. It’s a novel that requires a lot of its reader—who is tricking who, who is the most morally bankrupt. It’s an extraordinary novel. I don’t think any modern writer does the underbelly of the Victorian period better than Sarah Waters.” Read more...

Historical Novels with Strong Female Leads

Kate Mosse, Novelist

“I love this book. I first read it years ago, when it came out, and I read it again ten years ago. I also taught it for a while. I’ve just read it for the third time when I knew I was going to be talking to you. I finished it yesterday. It’s set during the Second World War and it’s mainly the story of this group of six women. They’re doing men’s jobs and have much more leeway than either before or after the war. So they’re working in factories, driving ambulances, being ARP wardens or firefighters—because there weren’t the men to do those jobs. Sarah Waters starts from the end of the story and we end at the beginning. When we meet all these characters, their story is the past. But it’s in front of us…The Night Watch is so clever. It makes us look at the way the drama unpeels, as opposed to unfolds, if you like. We get to the ‘Oh, that’s why and that’s why and that’s why.’ It’s another way of looking at history, which I also thought was really interesting.” Read more...

The Best Historical Fiction Set in England

Lesley Thomson, Thriller and Crime Writer

“It’s about a girl named Nan who goes off to the Pantomime Theatre, which is on the South Coast of England, and sees a girl named Kitty, who is a male impersonator, on the stage and falls in love with her. You’re not sure if it’s a sexual love or a girlish crush but she does go off to London with her and it does turn into a love affair. They begin living together but it becomes complicated because they have to hide. Then Kitty falls in love with a man and Nan is heartbroken and goes off into this strange Edwardian underworld. She sets off as a male-impersonating prostitute for a little bit and goes off with men who think she is a boy, and it’s all very odd. She then gets taken in by an aristocratic woman who wants to keep her as a mistress. Finally, she ends up living with a family who are poor and hardworking and who are saving the underclass from themselves. At this point, all these lovers from her past come back and she has to choose. You feel she is going to go off with Kitty, but is she? What I like is Waters’s sense of being very true. I think she was writing a PhD about London theatre at the turn of the century and then thought, well, I should do something that people want to read. It’s a very complete world; you really feel that you are there and that all these things are happening and you don’t have a moment where you find it hard to suspend your disbelief.” Read more...

The Best Historical Novels

Vanora Bennett, Historical Novelist