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“It’s at once describing things that everyone should do from that commanding, imperative voice of the self-help manual: move to the city if you want to be successful, don’t fall in love, things like that. But at the same time, it’s also describing the particular narrative of this one character, and it’s oddly collapsed in this figure of “you,” who is both the protagonist and the author, but also the reader, who identifies with the protagonist through the second-person voice.” Read more...
Beth Blum, Literary Scholar
