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“He wrote A Kiss Before Dying very young: I think it was his first book. If you look at the history of the crime novel, the whodunits, where there was a puzzle and a device, were very popular in the 1920s and 1930s. But since World War II there have been very few books which rely on a trick – like, famously, the Agatha Christie where the narrator turns out to be the murderer. One would have thought that at the end of the so-called golden age, at the end of the 1930s, that all those tricks had been done. But in A Kiss Before Dying, there is such a device. I won’t describe it, because I don’t want to give it away, but it is a kind of verbal trick. And it’s one of those books where you get halfway through and you actually go back through the book and think, I know this, there’s a piece of information that has been kept from me… It’s also a very tense novel, again, about a murderer. But there is this central device that is so clever, that at the end you both hug yourself with glee at how good it is and kick yourself because you didn’t get it.” Read more...
Simon Brett, Thriller and Crime Writer