A good writer must always aim to write the truth – a more complex narrative than one of heroes and villains. But to find the truth, sometimes you’ve got to get up and go there yourself, says Will Storr, journalist and author of Selfie. Here he selects five books that have inspired his own immersive approach to nonfiction.

Many features and failures of contemporary journalism are the result of supply and demand rather than conspiracy theories, says the director of Stanford’s journalism program and author of All the News That’s Fit to Sell. He chooses five great books on the ‘economics of news.’

Bruce Chatwin, author of In Patagonia and The Songlines, reinvented travel literature. Nicholas Shakespeare, his biographer, lifts the lid on a complex life and selects five books that influenced Chatwin’s work.

The author and former New York Times reporter says that some of the very best writing today is non-fiction — and that seductive narratives can yank readers into the most diverse range of subjects

Why do huge stories sometimes go unreported? Our news media are good at promulgating conventional wisdom but find it much more difficult to deal with evidence that contradicts it, says the former Washington Post reporter

The long-time foreign correspondent and author of books on Zaire, Eritrea and Kenya tells us where to turn for engaging foreign perspectives on Africa. She picks the best books on Africa.

Heather Brooke’s investigative journalism was the catalyst for the MPs expenses scandal of 2009. With an eye to how power corrupts, from Orwell’s Animal Farm to an apartheid memoir, she looks at importance of sticking to one’s principles and the dangers that arise when we don’t

Former editor-in-chief of The Guardian talked to us in 2012 about brave new frontiers for journalism, the hunt for a business model to pay for it all, and what he hoped (and feared) the Leveson Inquiry would decide about press regulation.

The writer dubbed “LA’s number one muckraker” peels away the phoney baloney to tell us about power, pollution and pulp fiction in the City of Angels.

The former BBC war reporter picks out essential reading on the Bosnia and Vietnam wars and explains why a book of poetry speaks more to him about the reality of conflict than any other writing

From the Hearsts to the Murdochs, powerful families have often controlled the newspapers we read. The author, and Kennedy family member, tells us why they do it and where it leads

The journalist and author praises tabloid hacks, lambasts Johann Hari, picks a bone with Christopher Hitchens, and selects five books that exemplify good reporting – or satirise it mercilessly

In a break from our usual practice of focusing on books, we asked the journalism analyst and veteran blogger Jay Rosen to recommend five articles illustrating the upheavals of the news business

The general manager of the non-profit newsroom ProPublica and former assistant publisher of the Wall Street Journal explains why the printed newspaper is doomed.

Historian and journalist Timothy Garton Ash describes the “mongrel genre” between reportage and scholarship and says using the historian’s tools to analyse the present is a vital undertaking

As both a solicitor advocate and literary scholar, Anthony Julius occupies a privileged place to navigate complex interactions between literature and law. He picks the best books on censorship, including three novels subjected to their own censorship controversies.

NPR host and former foreign correspondent offers practical and anecdotal guidance on reporting the news. Says, “I don’t buy this idea that there was a golden age in journalism”

Newspaper journalism is on its way out, regrets the former foreign correspondent and Browser co-founder. He chooses four novels that reflect the golden days and a style guide that is an equally fine work of imagination

The former FIA president discusses privacy very openly, with candid views on the press and his own personal scandal. Recommends books on everything from media distortion to mind control

The Professor of Mass Communication at Louisiana State University discusses American foreign correspondents. Laments the lack of swashbuckling approach amongst current crop of journalists

The Editor of The Times Literary Supplement discusses the changing history of the Newspaper Editor. Suggests further reading and highlights Peter Forster’s The Spike as the most accurate depiction of an editor’s work.

The award-winning journalist and author says she laughed out loud when she read Greg Mortenson’s line that if he was killed in Pakistan, he knew it would be in a car accident and not by a terrorist

The Journalism Professor at Columbia University discusses the future of the media. Argues that the availability of intelligently compiled, serious information is a prerequisite for democratic life

War reporter tells us that her life is permeated with sense of loss and longing. She quotes her heroine Martha Gellhorn: “I have a sudden notion of why history is such a mess. Human beings do not live long enough”

The investigative journalist says when he started out reporting PR copy was a real rarity. If you were writing about crime, you’d call the police station and speak to an officer.

The Press Association’s legal advisor argues that the definition of privacy in Britain is being redefined by judges on a seemingly ad hoc basis. Discusses privacy issues and reviews the best books on the subject